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Welcome to Michael’s ‘Intimate With Strangers’ Page 8
TO CRY
Breathing facilitates crying, and people cry a lot in this work. They cry not only for the sake of catharsis; they cry for joy, from having made connection with more of themselves.
Crying expresses the full range of human emotion from anguish to ecstasy. Even laughter is a derivative of crying. If you watch someone cry, in pain or for joy, you see that the whole person is convulsing rhythmically. It’s interesting, because crying, unlike other forms of expression, almost always brings about the basic involuntary, pulsatory movements. Anger generally does not. A person capable of expressing anger is not necessarily willing to cry. It’s the person unwilling to cry who is unwilling to practice his own freedom. It’s the person who won’t cry who does not fully share.
Anyone who has been around children has noticed that their every emotion is expressed by some form of outcry. Their cry is the voice of their bodily freshness. And in this respect adults are no different from children. As we become able to cry, our bodies become more capable of expressing our selves. As we learn once again to cry, we grow more and more willing and able to make joyful love.
We enter the world with a cry, and from that time on, our crying or our not-crying is part and parcel of our forming. He who never cries out is never heard. The warrior’s roar, the lover’s shout, the victim’s scream evoke human response and are heard by the gods as well.
The cry is the mother of all emotional expression: howls of anger, moans of sadness, sighs of tenderness, bellows of hunger, shouts of joy. We who do not cry ensure that our rigidities never soften, that we never become impressionable enough to form again.
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